February 2012
6 posts
Feb 6th
2 notes
Feb 6th
101 notes
“I had the best education in the world. Private kindergarten where I got straight...”
– Devon Banks to Jack Donaghy, 30 ROCK. This kind of writing is why it’s my favorite sitcom on the air.
Feb 6th
9 notes
Feb 6th
23 notes
Feb 1st
5 notes
Feb 1st
2 notes
January 2012
7 posts
Jan 26th
2 notes
Jan 26th
2 notes
“I like not only to be loved, but also to be told that I am loved. I am not sure...”
– George Eliot (via misswallflower)
Jan 26th
502 notes
Jan 25th
Jan 24th
7 notes
Jan 6th
2 notes
Jan 3rd
68 notes
December 2011
7 posts
Dec 20th
3 notes
Dec 14th
476 notes
Dec 14th
1,272 notes
Dec 11th
2 notes
SHAME & the city
Excerpt from Sean Burns’ Philadelphia Weekly interview with SHAME director Steve McQueen. PW: I lived in New York City for years, so I’m fascinated by your depiction of Manhattan as a shimmering, steel palace of isolation. Steve McQueen: For me it’s very strange, as a European. A lot of New Yorkers live and work in the sky. What’s amazing is that you always have a perspective of...
Dec 11th
1 note
Dec 9th
1 note
Michael Sicinski on DRIVE
DRIVE (Winding Refn 11) [tentative 7]  Just succulent. A total movie-movie, completely committed to surfaces and simulacra, but w/o the irony that typically hobbles such enterprises. Instead it locates the tough-as-nails romanticism in LA sheen, 80s synth and fonts, neo-hardboiled patter, & vacant glowering charisma. Also, it’s a pure, plastic exploration of spatial possibilities....
Dec 1st
November 2011
14 posts
Nov 30th
4 notes
Nov 23rd
Mike D'Angelo on SHIT YEAR
From his blog /Shit Year/ (2010, Cam Archer): 77 Not sure a movie could get much more fragmentary and diffuse and still hold together. Obviously it helps to have an actor like Ellen Barkin at the center—her performance is all the more extraordinary when you consider that she has no conventional “arc” to play, just a series of disconnected moments ranging all over the map in tone and...
Nov 23rd
4 notes
Nov 17th
6,726 notes
Nov 17th
455 notes
Nov 17th
“Well, nowadays, in terms of popularity, what the people who are making the films...”
– Kenneth Lonergan, from 2001 interview with BOMB magazine.
Nov 9th
3 notes
Nov 4th
Nov 3rd
234 notes
Nov 3rd
5,591 notes
Emptyage: Generation X Doesn't Want to Hear It →
Earlier generations have weathered recessions, of course; this stall we’re in has the look of something nastier. Social Security and Medicare are going to be diminished, at best. Hours worked are up even as hiring staggers along: Blood from a stone looks to be the normal order of things “going…
Nov 3rd
2,021 notes
Nov 3rd
6 notes
Nov 2nd
3 notes
“A USEFUL LIFE is a story about the decline in public film exhibition. As art...”
– Samuel B. Prime, Director of Melnitz Movies at UCLA
Nov 1st
1 note
October 2011
4 posts
“Anything that is in the world when you’re born is normal and ordinary and is...”
– Douglas Adams, The Salmon of Doubt
Oct 29th
8 notes
Oct 27th
42 notes
Oct 19th
Oct 5th
4,427 notes
September 2011
4 posts
“The metaphor is perhaps one of man’s most fruitful potentialities. Its...”
–  Excerpt from The Dehumanization of Art and Ideas about the Novel by the Spanish philosopher José Ortega y Gasset, 1925
Sep 27th
Sep 27th
1 note
Sep 22nd
12 notes
“If I see my films described as ‘quirky’ or, even worse,...”
– Terry Zwigoff
Sep 2nd
3 notes
August 2011
4 posts
Aug 26th
1,899 notes
Aug 24th
10 notes
Aug 19th
4 notes
Aug 16th
July 2011
11 posts
Jul 29th
239 notes
Jul 20th
Jul 19th
Jul 18th